Tuesday, June 16, 2009
Drawings
Idea - Interior
Roor structure with large covered skylights.
Overwiew of gallary showing maze and internal wall light shafts.
As one enters the building on the top floor they are met with a series of close intimate spaces forcing you to wind your way through the maze like system. The light enters at an angle through a series of windows and covered skylights throwing an interesting pattern of light on these walls. These can either be left blank or covered as per the artists desire.
The walls on the upper level are hollow allowing shafts of natural sunlight to penetrate to the lower level where Matthew lives.
Overwiew of gallary showing maze and internal wall light shafts.
As one enters the building on the top floor they are met with a series of close intimate spaces forcing you to wind your way through the maze like system. The light enters at an angle through a series of windows and covered skylights throwing an interesting pattern of light on these walls. These can either be left blank or covered as per the artists desire.
The walls on the upper level are hollow allowing shafts of natural sunlight to penetrate to the lower level where Matthew lives.
Initial Idea - Facade and Courtyard
Angle of view which allows the artwork (YES) to be viewed.
View from street
Ramps leading to an rooftop courtyard which the public could contribute to a communal artwork.
Building on the inspiration from the many street art that I saw in the surrounding environment, I thought it would be interesting to create a space in which members of the public could contribute to a collective artwork, which would feature on the exteriour of the building. The many ramps used on the facade allow for the creation of an artwork which would only be complete when viewed from a certain angle.
View from street
Ramps leading to an rooftop courtyard which the public could contribute to a communal artwork.
Building on the inspiration from the many street art that I saw in the surrounding environment, I thought it would be interesting to create a space in which members of the public could contribute to a collective artwork, which would feature on the exteriour of the building. The many ramps used on the facade allow for the creation of an artwork which would only be complete when viewed from a certain angle.
Artist
Idiot Box (1993)
Martin Luther Mural (1991)
After seeing the many large scale murals on the walls around Newtown, I did some research and discovered that many of the most famous paintings were done by the same two men, Andrew Aiken and Matthew Peet. I was moved by Andrews tradgic story.
He had fled England to Australia after, according to evidence given at the Old Bailey, bashing to death a man he lived with in an east London squat. He burnt his clothes and a blood-stained sofa and buried the body in the cellar before cementing over it. The man was a 40-year-old English busker who, it seemed, no one missed...
[After living in Australia for seven years] He revealed his secret to a religious leader who persuaded him to return to England in 1997 to give himself up. Peet recalled that "Andrew rang me and said 'I'm going back to England to take care of business'. I was not sure what he meant. When a friend told me he was done for murder, I didn't believe it. It was completely out of character."
Nicholls, S 2003, ‘Wall of Silence’, Sydney Morning Herald, 26 April, accessed 24 May 2009,
Aiken is now serving life in prison for his crime. I decided to design the art gallery to promote Matthew Peet's graffiti style artwork. However I wanted it to be more than just that, I decieded that at least part of the gallary should be a memorial to human courage with his friend's story in mind.
Martin Luther Mural (1991)
After seeing the many large scale murals on the walls around Newtown, I did some research and discovered that many of the most famous paintings were done by the same two men, Andrew Aiken and Matthew Peet. I was moved by Andrews tradgic story.
He had fled England to Australia after, according to evidence given at the Old Bailey, bashing to death a man he lived with in an east London squat. He burnt his clothes and a blood-stained sofa and buried the body in the cellar before cementing over it. The man was a 40-year-old English busker who, it seemed, no one missed...
[After living in Australia for seven years] He revealed his secret to a religious leader who persuaded him to return to England in 1997 to give himself up. Peet recalled that "Andrew rang me and said 'I'm going back to England to take care of business'. I was not sure what he meant. When a friend told me he was done for murder, I didn't believe it. It was completely out of character."
Nicholls, S 2003, ‘Wall of Silence’, Sydney Morning Herald, 26 April, accessed 24 May 2009,
Aiken is now serving life in prison for his crime. I decided to design the art gallery to promote Matthew Peet's graffiti style artwork. However I wanted it to be more than just that, I decieded that at least part of the gallary should be a memorial to human courage with his friend's story in mind.
Precedent Study
Monday, June 15, 2009
Site Photos
While visiting Newtown I was most struck by the vitality, life and energy of the suburb. The area was extremely colourful, especially due to the amount of street art and large graffiti murals which covered many walls. This photo collage of pictures that I took tries to capture the energy and intensity of the place.
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